视频简介
37岁的拉菲（乌玛•瑟曼 饰）不久前离异了，伤心难过的她向心理医生丽莎（梅丽尔•斯特里普 饰）倾诉心事。一次偶遇，她认识了23岁的小伙子达夫（布莱恩•加连保格 饰），他迅速爱上了拉菲。由于年龄上的差异，使拉菲心存顾忌。此间，拉菲常常与心理医生丽莎提及男友的事，丽莎给了她很多鼓励与支持，才让拉菲决定与达夫开展新恋情。 丽莎也遇到了儿子给予的难题，儿子爱上了一个比自己年长的女人，更没想到的是她的儿子——达夫爱上的是自己的病人拉菲……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。