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怪物艾比乐乐为了躲避军方的袭击，躲进了一个名叫亚当的小男孩家里。很快，亚当便在车库里发现了它。亚当在学校的图书馆里查探艾比乐乐的相关资料却一无所获。但其实，外人口中凶狠残暴的怪物艾比乐乐一点也不凶恶，反而是个黑乎乎的萌胖子。很快，艾比乐乐和亚当交起了朋友，有了艾比乐乐的特殊能力帮助，亚当度过了一段快乐的时光。然而，军方派来抓捕艾比乐乐的部队也随之而来，他们派兵包围了艾比乐乐和亚当。最终，亚当为了保护艾比乐乐，不惜挡在了艾比乐乐的身前，准备迎接军方的炮火攻击，因为亚当在同艾比乐乐相处的过程中，早已经把艾比乐乐当成了自己最好的朋友。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。